Sydney Jewish Museum (SJM) has announced the acquisition of Alex with his tefillin in the sea (2026), the acclaimed portrait by leading Australian artist Michael Zavros, which won the Archibald Prize 2026 ANZ People’s Choice award. The SJM acquisition has been made possible thanks to a generous major gift.
The large-scale hyperrealist oil painting depicts author, lawyer and Jewish community leader Alex Ryvchin, co-CEO of the Executive Council of Australian Jewry, standing in the sea wearing tefillin, the traditional Jewish ritual prayer scrolls, box and straps. The work evokes themes of identity, belonging and connection – and its popular choice has been widely welcomed as both healing and reassuring in a time of fractured social cohesion.
The portrait (pictured left) resonated strongly with visitors to the Archibald Prize 2026 exhibition at the Art Gallery of New South Wales, where the People’s Choice this year attracted its highest ever number of voters.
Sydney Jewish Museum Board President Greg Shand AM highlighted the cultural significance of the acquisition and the important themes it represented.
“At a time of heightened concern about antisemitism in Australia, the public response to this portrait carries particular significance. Through its thoughtful exploration of identity and community, Alex with his tefillin in the sea invites Australians to engage with the lived experience of Jewish Australians in a deeply human way. Its selection as the People’s Choice award winner demonstrates the enduring capacity of art to build understanding between people. It is also an uplifting reflection of the empathy that exists within the broad Australian public for the values of inclusion, respect and mutual understanding that underpin our multicultural society.”
Artist Michael Zavros was honoured that the work would now become part of a public collection.
“This portrait began with an unexpected connection and grew into a conversation about the things that unite us. Alex and I discovered common ground through our shared experiences as Australians, fathers and sons of migrant families. I am deeply honoured that the work has resonated with so many people and grateful that it will now have a permanent home where its story can continue to be shared.”
Ryvchin said the acquisition ensured the portrait’s themes would remain accessible to future audiences.
“This work captures a moment that is deeply personal, but it also speaks to broader ideas about memory, resilience and social cohesion. I am honoured to have sat for Michael and delighted that the portrait will enter a public collection, where it can encourage reflection, understanding and dialogue among visitors from all backgrounds.”